Blog Archive for June 2026

Album Of The Day: With Shivering Hearts We Wait by Blindside

Album Art of Blindside's With Shivering Hearts We Wait album - On a very calm lake or ocean that stretches to the horizon, a young man is standing shirtless in the water up to his waist, and his hands are outstretched on each side just so that his fingers are touching the top of she water. He's looking away from the camera towards the never-ending water and the horizon, which has ha bit of a pink hue to it like it is magic hour. Printed in the bottom middle is the band's name in white text, followed by a small 'x' and then the album title in the same font.

Released 15 years ago today, this is the sixth studio album from Swedish-based metal/post-hardcore band Bindside. Though they were a bit more well-known earlier when on Solid State Records and Elektra's imprint run by friends P.O.D., this album is still pretty good. It definitely rocks, and some tracks like "Monster On The Radio" and "Our Love Saves Us" have electronic elements and not just the heavy guitars you would expect from them. Lead singer Christian Lindskog's vocals jump seamlessly from singing to screaming, and the band sounds great throughout. It's not my favorite album from them, but it was definitely fun to hear from them again, and I hope they make a comeback one of these years as they were a great band on the heavier end of music I enjoy.

Release Year: 2011
Listen on Spotify

Album Of The Day: Big Star Logistics by The Rock 'N' Roll Worship Circus

Album Art of The Rock 'N' Roll Worship Circus's Big Star Logistics album - A black-and-white, somewhat blurry photo of four young people in hoodies and T-shirts with rather crazy looks standing on top of a building with a large neon 'Hotel' sign behind them. The picture is a bit blurry with motion and and the bottom third is covered by a dark red background and a decorative line around the band's name in large, white block letters. At the very bottom in smaller, more decorative font is the album title and a small white star is right above it.

Released 25 years ago yesterday, this is the first, independent studio album from The Rock 'N' Roll Worship Circus, a band that brought classic rock vibes to audiences with in-your-face, Christian lyrics like you would hear on a modern worship album. Songs like "Your Crown", "The Blood Of Jesus", and "Come On, Get Down" sound like they could be on some '60s or '70s rock album, with poppy hooks, lots of guitars, and tight harmonies. Sounds like "The Undiscovered", "Open The Gates", and "See The Lord Is Coming" are a bit more spaced out, slower, epic vibes--think psychedelic rock. "The Undiscovered" is definitely one of my all-time favorites songs from this era, really. Over half of the songs are on their label debut Welcome To The Rock 'N' Roll Worship Circus released just over a year later. This album isn't on streaming so you will need to find a CD, probably, to give it a listen, but it's a fun one to find if you're a fan of obscure Christian rock from this era. It's a really fun hour of throwback music styles with Christian messages from the Pacific Northwest.

Release Year: 2001

Album Of The Day: Leave Here A Stranger by Starflyer 59

' in large white outline, with the album title in much smaller lowercase text below it, and then the track listing in even smaller text below that.

"I never thought it'd go this far, I never thought that we'd ever go far, like all my friends who play guitar." Released 25 years ago today, this is the sixth studio album from indie rock/pop/shoegaze band Starflyer 59. The lyrics seem to be mostly about the struggles of a musician in a rock band, touring around the country and doing celebrity-ish things, as well as being in a different city each day. Musically, this album is definitely very poppy but with a full-band sound, and the lyrics are somewhat drowned out by the music on purpose, I think. Unlike earlier albums from this band, this has some strings and other sounds in addition to the normal guitar, drums and bass, and the guitar is not so heavy and fuzzed out as earlier albums that helped define the "shoegaze" genre. It's a short album but full of fun melodies and sounds from Jason Martin and company and I think one of Starflyer 59's better albums.

Release Year: 2001
Listen on Apple Music
Listen on Spotify

Album Of The Day: Mama by Jess Ray

Album Art of Jess Ray's Mama album - A grainy photo of two women climbing a grassy hill, with the two women in the top left. Over the top of the photo, most of the grassy hill cannot be seen because there's a very large, bright orange 'Mama' spray painted on top of the image, taking up most of the space.

"To Hell with my own truth / Help me find my way back to you " Released this past Friday, this is the sixth album from folk/pop singer-songwriter Jess Ray. Some of her albums are more acoustic guitar and piano, and there's definitely a bit of that on this album too, but on Mama there is more of an indie pop vibe with more experimental and atmospheric sounds, a bit more fancy production to give the songs a more unique sound. Jess Ray does a good job of talking about her Christian faith, but also talking about life's struggles and in a way that bring me hope and encouragement. I just listened to Mama for the first time today, but it's already becoming my favorite Jess Ray album and I'm listening to it for the second time now.

Release Year: 2026
Listen on Apple Music
Listen on Spotify

Album Of The Day: Treasure Of The Broken Land: The Songs Of Mark Heard by Various Artists

 The Songs Of Mark Heard album - A mixed-media piece, the back is a wall and some cardboard or paper of various colors, with a section marked off in the top right where the words 'Treasure of the Broken Land' is printed. Below that on the left side in a whiter space is 'The Songs of Mark Heard'. To the right of all this is a big illustration of a person's head in mostly gray, a grey-colored man with scraggly gray hair and a slightly shorter beard. The hair looks like it might be made of pieces of metal and maybe some bits of cloth or hair layered on top of the background, and the man has glasses on which look to be slightly above the face. Small bits of paper can be seen throughout the artwork. The man's shoulders can be seen covered with a coat, and the coat has a number of timepieces and keys on it.

Released 9 years ago today, this is the a tribute album of all Mark Heard covers by many well-known names in the Americana scene and other styles. Produced by Phil Madeira, this album honors the music of '70s and '80s songwriter and Producer Mark Heard, considered to be one of the best songwriters of Christian music. I was never really a huge fan of Heard's roots-y, folk-y rock style, but he was definitely a good songwriter. And this is definitely more country/Americana, which is not my favorite genre, but it is cool to hear younger artists and peers of Heard on the same album honoring his legacy. There's big names from Nashville and beyond like North Mississippi Allstars, Drew Holcomb, Sierra Hull, Lily & Madeline, and also older artists like Over The Rhine, Rodney Crowell and Buddy Miller also re-imagining the songs of Mark Heard. I like this album and it's got lots of songs by lots of artists, and it definitely makes me want to hear more of Mark Heard's music, which I'm not that familiar with yet.

Release Year: 2017
Listen on Apple Music
Listen on Spotify

Album Of The Day: Hello, Mannequin by Joy Electric

Album Art of Joy Electric's Hello, Mannequin album - On a solid black background, a pink neon sign is lit up that reads 'hello mannequin' in a stylized cursive. A few spots have a bit of a glow effect to them.

"Who are friends?" Released 22 years ago today, this is the ninth album from synthesizer band Joy Electric. Like with most of Joy Electric and primary creator Ronnie Martin's solo releases, it's pretty much all his vocals over various sounds made from his synthesizer, in this case the Roland System 100. A bunch of songs have lyrics talking about communication and technology, like "The Birth Of The Telegram, 1814", "The Phonograph Plays, Part and Parcel" and "Nikola Tesla". Most songs have few lyrics as the music is the focus. The beeps and bloops of this electronic music isn't exactly my favorite, but I certainly admire Ronnie's dedication to a very unique form of musical expression and find it a fun listen on occasion. The sounds vary from beautiful to odd to industrial, sometimes in the same song even. The "Yah!" he cries at the start of "Wolf In The Bend" is ingrained in my brain. Also, I always love the graphic design of Joy Electric albums, and this one is definitely right up there with the pink neon-style cover.

Release Year: 2004
Listen on Apple Music
Listen on Spotify

Pages